Archives 2020

The Session Mandolin

It was a real treat to work on this mandolin with the customer. Whilst being a little bigger than my standard mandolin, it’s a full inch wider than most common shapes

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Using my favourite Swiss moon spruce soundboard for mandolin for that crisp sweet tone. Paired with this stunning set of Cocobolo from the lads at Timberline kindly sourced by the customer.

Its great to still be able to find small sets like this cocobolo as they are becoming quite rare. Whilst its can be a challenge to work with, I think you’ll agree its worth it.

Part of the Dalbergia genus, Cocobolo is now on the CITES list so its only fair and responsible to source it from reputable suppliers.

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It seemed rude with such lovely woods to use anything less than a nice flame maple neck. In three parts for extra stability and that vintage look.

The neck itself is slight wider to suit the body shape and players preference. But it is on a standard 357mm scale length, so no difficulty stretching for those notes up the dusty end. All my mandolins are custom made, and so its no problem to tweak about dimensions to suit anyone’s needs.

Initially I was unsure about buying a mandolin without trying it first but my fears proved to be groundless with Cas producing an outstanding mandolin in both looks and sound… He also offered advice on aspects of the design where I was uncertain. I was pleased to help source the Cocobolo for the mandolin. Apart from its looks, Cocobolo produces a strong sound as volume was what I was looking for.

George from Peebles

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Irish Bouzouki

A little glimpse at my newest Irish Bouzouki! Built to a similar size of the classic bouzouki luthiers like Foley and Abnett. This lovely piece of Acer Campestre from Conway tonewoods  just seemed to me that it wanted to be a bouzouki.

Bouzouki

With a surprisingly sweet taptone and outrageous figuring for a native species hardwood. The fast attack you get from Acer family really lends itself to the hard rhythm Irish bouzouki style.

Irish bouzouki rosette

With a nod to the man himself, Stefan Sobell, I have enjoyed this slightly more challenging rosette. All handcut and so there are no off the peg jigs to let you makes rosettes like this easily. But for me that makes it all the more satisfying.

More CBOM family instruments coming this way soon!

Irish BouzoukiIrish Bouzouki

Guitar Bouzouki

Two guitar bouzoukis fresh off the bench. The Venetian cutaway is really handy for guitar bouzoukis, open tunings being what they are the use of a capo is inevitable and this lets you get right up the neck for those awkward keys!

These bouzoukis have some lovely examples of some great native species tonewoods. As environmental concerns come more into the spotlight, I think we have all started to look a little closer to home. And these are a lovely example that there are beautiful woods on our doorstep. Lacewood back and side on one paired with Swiss moon spruce on the first. And Yew paired with a nice warm cedar top on the second.

K&K pure mini pickups installed in both, these give a beautifully clear and articulate tone while being perfectly unobtrusive.

 

Wee Hog Tenor Guitar

During the build process this little guitar gained the nickname Wee Hog. With full mahogany back, sides and neck.

I worked closely with the customer to get all the vintage elements he loves in the instrument. From the light contrast celluloid binding to the Gibsonesque headstock and a nod to vintage Vegas with the simple star engraving.

Great fun to work on and great fun to play, are tenor guitars making a comeback? hopefully.