Category Mandolins

This was my second time working with Bramley apple and it is fair to say it’s definitely growing on me.  For this build I was asked if it was possible to make a mandolin that reflects where the client is living currently in rural Oxfordshire, what better excuse to use this beautiful native species. Softer than some fruit woods the Bramley helps take the edge off some of the mandolins sharper tones .

I'm going to endeavor to get some more sound samples of instruments I build, so watch this space!

Continuing my run of large bodied mandolins is this not-so-little number in Purpleheart wood.

It's a fascinating wood to work with, hitting Janka hardness scale with 2,520 lbf. It is harder than rosewood and working it you will find yourself stopping to sharpen tools all day.

And then there is the colour itself. Only developing while the wood oxidizes when you first cut it its a light orangey brown hue slowly working its way towards the purple it is famous for.

This mandolin is on the 372mm scale length giving it a little extra string tension to work that bigger top. The result is a full bodied sound with a rich low end.

The larger body size at a whopping 310m across the belly makes it a really comfortable choice. Particularly for those who find themselves folding over a smaller mandolin.

This long-scale mandolin comes complete with a small fingerboard extension for a player that loves hitting that high Bb up the (usually) dusty end of the instrument!

It was a real treat to work on this mandolin with the customer. Whilst being a little bigger than my standard mandolin, it’s a full inch wider than most common shapes

Using my favourite Swiss moon spruce soundboard for mandolin for that crisp sweet tone. Paired with this stunning set of Cocobolo from the lads at Timberline kindly sourced by the customer.

Its great to still be able to find small sets like this cocobolo as they are becoming quite rare. Whilst its can be a challenge to work with, I think you’ll agree its worth it.

Part of the Dalbergia genus, Cocobolo is now on the CITES list so its only fair and responsible to source it from reputable suppliers.

It seemed rude with such lovely woods to use anything less than a nice flame maple neck. In three parts for extra stability and that vintage look.

The neck itself is slight wider to suit the body shape and players preference. But it is on a standard 357mm scale length, so no difficulty stretching for those notes up the dusty end. All my mandolins are custom made, and so its no problem to tweak about dimensions to suit anyone’s needs.

Initially I was unsure about buying a mandolin without trying it first but my fears proved to be groundless with Cas producing an outstanding mandolin in both looks and sound… He also offered advice on aspects of the design where I was uncertain. I was pleased to help source the Cocobolo for the mandolin. Apart from its looks, Cocobolo produces a strong sound as volume was what I was looking for.

George from Peebles

Cherry is one of my favourite woods to work with, particularly for choice of back and sides materials for mandolins. Whilst I firmly believe the design of the structure is foremost in creating any instruments voice, I like to think the choice of wood colours it. Cherry allows for nice crisp highs with a warmth you don’t get with a more traditional maple mandolin.